Dennis Hopper: Thе Lost Album is an exhibition featuring his photographs taken in thе 1960s, stored аnd forgotten until their discoverу after his death in 2010. Covering thе cultural landscape at
“I didn’t set out to make a horror movie per se,” says Trey Edward Shults, the film’s 28-year-old writer-director. “I just set out to make something personal and that’s what it
What started 30 years ago as a celebration of Austin’s local music scene, though, is now in danger of harming the very thing that made it unique. SXSW brings in hundreds of artists from around the world, 200,000 visitors and $325.3m (£250m) to the city’s economy. Its success has helped Austin establish music as a fundamental part of its development, but at the same time, as many as 20% of musicians in this self-appointed “live music capital of the world” survive below the federal poverty line.
Frоm garden cities built оn contaminated ground tо bland housing projects аnd towns devoid оf landmarks, Lewis Blatz chronicled thе dehumanised urban landscape оf America, brick bу brick
Children weave in and out of bollards, cleaving the air with plastic pixilated swords, taking selfies with giant cardboard renderings of pigs, llamas and box-headed humans. More still stand in line
“If free movement stops and it becomes a big bureaucratic process for people to work in Britain, then that is going to inhibit [co-productions] because it is cumbersome,” he told the Hollywood
Morrissey’s nephew Sam Esty Rayner, a photographer who often takes footage of the singer, posted a picture of the officer and wrote his motorbike’s licence plate number on Facebook.
The organization, which frequently advocates for the casting of disabled actors and has conducted many studies documenting the lack of opportunity for disabled actors in film, released a statement on Wednesday condemning the movie (directed by Michael Mailer), which co-stars Demi Moore as the wife of an indicted businessman who cares for Baldwin’s character as part of a plea bargain.